PASTOR DAVID PARRY
- GUEST AUTHOR -
G'day folks,
Here is my interview with a charming author who just happens to be a pastor as well.
Welcome, David ...
1.
TELL US A LITTLE ABOUT YOURSELF AND YOUR WRITING JOURNEY.
Gosh, this form of literary
“confession” is always embarrassing, since I am never sure of the parameters,
or proprieties, surrounding personal disclosure. Either way, I am a nascent
Swedenborgian, albeit one ordained and consecrated as a Valentinian bishop.
Equally, I am a rather well-known “theatrical poet” with pronounced Pagan
tendencies, a lifelong LGBTQ activist and ardent Libertarian currently living
in Clapham, South London.
However, I
am a country boy at heart. A man who was born in Portsmouth, while being raised
in Fareham, Hampshire. Phrased differently, I grew up in a small market town
between the British cities of Southampton and Portsmouth in a rustic and
occasionally idyllic environment: a landscape suited to the sensibilities of a
fledgling poet. Indeed, as a continuous truant from school, I recall taking
books of Roman poetry to the water meadows near my grandmother’s house and
reading them with an increasingly voracious appetite for global literature.
So
recalled, I started to write my own “poetic notes” by the age of seven, even
though I hadn’t composed anything of aesthetic worth until my late teens.
Overall, a questing adolescent period wherein I developed a passion for Russian
novels, along with an infrequent addiction for the staggeringly evocative verse
originating from Central Asia. With hindsight, each influence inspiring steps
on a long literary journey.
2.
WHEN AND HOW DID YOU BECOME A WRITER?
As William
Burroughs once said, “a writer just writes”. And as such, I can’t really say I
was following any type of plan, or for that matter aiming to achieve a goal.
Rather, I simply kept detailed notes of concepts and images from other authors,
as well as describing to myself what I would like to eventually accomplish on a
stage – in terms of character, script, plot, colours, sets and atmosphere.
Oddly, it was a number of years before I could see the connection between our
British boards and native lyricism. Anyway, I owe my “when” and “how” to
notebook after notebook after notebook.
3.
WHAT TYPE OF PREPARATION DO
YOU DO FOR A MANUSCRIPT? DO YOU PLAN EVERYTHING FIRST OR JUST SHOOT FROM THE
HIP?
I am old
school. So, I plan everything in meticulous detail before I commit to
composition. That stated, I have tried to experiment with spontaneous
penmanship for the last few years, although I know myself well enough to spot
the subtle, preconceived, designs inside my own “impulsive” encounters with the
subconscious. Yet, this is just me. There are no hard and fast rules.
4.
WHAT DO YOU ENJOY MOST ABOUT BEING A WRITER?
I hate
every single minute of the writing process. Nonetheless, if I do not do it, I
am not David. In which case, the only point I truly enjoy is reaching a
deadline, or finishing a project.
5.
WHAT IS THE HARDEST THING ABOUT BEING A WRITER?
For me,
authorship is analogous to an unpleasant regurgitation, or a necessary, but
uncomfortable, purgation. It is the need to express, or expel, concepts, while
thereafter feeling a sense of temporary relief. Hence, these agitations,
accompanied by the loneliness (not to mention the distress attendant on any
release of text into an insensitive world), prove the most disagreeable
experiences for me.
6.
WHAT WERE YOU IN A PAST LIFE, BEFORE YOU BECAME A WRITER?
Being
honest, there never was a time before I became a writer. Authorship, like my
struggle with a homophobic, sexist, elitist and racist Church, was something I
always did in parallel with my other duties. Therefore, in a manner similar to
the Beatniks, I have been employed in an endless number of positions including:
Postman, Paper-keeper, Security Guard, Gardener, Office Clerk and English
language (Academic IELTS) Teacher.
7.
WHAT IS YOUR GREATEST WRITING ACHIEVEMENT?
My dream
as a writer was to collaborate with Central Asian poets and dramatists. So,
being elected as the first Chairman of Eurasian Creative Guild (slightly before
this organisation subdivided into various national associations), allowed me to
realise my ambition and travel across a number of the “Stans” to meet with
colleagues from these magical terrains. Thus, incorporating each encounter into
my own authorship is the greatest attainment.
8.
WHAT ARE YOU WORKING ON AT THE MOMENT?
Currently,
I am working on another collection of essays. A challenging, albeit genuinely
satisfying genre I am hoping to help revive due to its unique resonance with
travel writing in theory and practice. Instead of a geographical location,
however, this time I will be examining the arts and mysticism of Nicholas
Roerich – a Russian author, painter, writer, theosophist,
archaeologist and probable spy.
9.
WHAT INSPIRES YOU?
Art,
Nature, Christ, Transcendentalists, Eurasia.
10.
WHAT GENRE DO YOU WRITE?
Almost
everything I compose is in prose-poetry. Unless, of course, I am forced into
mere prose for an assignment of some sort.
11.
DO YOU HAVE ANY TIPS FOR NEW WRITERS?
Don’t
embark on this path unless the rest of life is impossible without it. If,
however, this bilious route proves inescapable, always have a notebook to hand
and explore concepts and situations from every imaginable angle.
12.
DO YOU SUFFER FROM WRITER’S BLOCK?
Thinking
back, I never really understand what people are implying when they claim these
types of hurdle to their work. However, I can sympathise with the pain caused
by endless delays, as well as financial stress.
13.
DO YOU HAVE A PREFERRED WRITING SCHEDULE?
Nowadays,
I am a morning person. I used to be a night owl, but recently nothing is doable
without my coffee and almond croissant first thing; along with the renewed
vigour of a fresh day to tackle text.
14.
DO YOU HAVE A FAVOURITE WRITING PLACE?
Sadly,
yes. I tend to be at my least neurotic and creative when writing in the front
room of my tiny ground floor flat. I must be completely alone during these
hours, with my notebooks nearby and my laptop immediately in front of me.
15.
WHAT IS YOUR GREATEST JOY IN WRITING?
Finishing
the final page with an openly lyrical note.
16.
WHO IS YOUR FAVOURITE AUTHOR AND WHY?
Shakespeare,
since as Wittgenstein (a close second) claimed, he gives his admirers the
world.
17.
WHAT’S THE GREATEST COMPLIMENT YOU EVER RECEIVED FROM A READER?
I was once
told that my versicles are vibrant, spiritually transformative and genuinely
beautiful.
18.
WHAT WAS THE WORST COMMENT FROM A READER?
An
accusation of wilful obscurity was once thrown at me. Obviously, the
perpetrator did not survive in one piece.
19.
WRITERS ARE SOMETIMES INFLUENCED BY THINGS THAT HAPPEN IN THEIR OWN
LIVES. ARE YOU?
All in
all, I am never sure that every type of text is not some kind of biographical
assertion. However, my childhood and isolated adolescence in Hampshire still
exert a potent power across my work.
20.
OTHER THAN WRITING, WHAT ELSE DO YOU LOVE?
Travelling
to Central Asia and physically walking in the footsteps of Abai, Aladdin and
Chinghiz Aitmatov are thrilling experiences for me to this day. The landscapes
are breathtakingly beautiful, the food is fresh and flavoursome, while the
people’s are naturally friendly. Indeed, the admixture of Turkish and Chinese
cultures seems to bring out the best features of both worlds.
21.
DID YOU HAVE YOUR BOOK / BOOKS PROFESSIONALLY EDITED BEFORE
PUBLICATION?
As the
very worst proof reader for my own work in this or any other possible world, I
always ask one of my contacts (usually Daniele-Hadi Irandoost) to edit my work.
He has an immense skill, at the same time as knowing me personally. Overall,
this admitted, I would not trust my materials to someone I do not know no
matter how experienced.
22.
DESCRIBE YOUR PERFECT DAY.
My fantasy
is to breakfast on hot chocolate and pastries among the blue tiles and turrets
of Samarkand. Following this, to take afternoon minted tea with friends
discussing Eurasian poetry, before banqueting in the evening amidst books,
endless dishes of local cuisine (including Plov) and respected colleagues.
23.
IF YOU WERE STUCK ON A DESERT ISLAND WITH ONE PERSON, WHO WOULD IT
BE? WHY?
Provided
he is naked and prohibited from wearing any clothes whatsoever for the duration
of our incarceration, it must be Tom Hardy. He pushes all of the “thug with a
brain” buttons.
24.
WHAT WOULD YOU SAY IF YOU HAD THE CHANCE TO SPEAK TO WORLD LEADERS?
As someone
who has contacts in our British Parliament and has had a scene from a play of
mine premiered in the House of Lords (making history), I would love to say just
one thing – please try to remember there are living, sentient and breathing,
people outside the political classes.
25.
WHAT ARE YOUR PLANS FOR THE FUTURE?
To have
more of my work dramatized and staged. As someone who occasionally acts, I
would additionally like to play some of the peripheral, but vital, characters
in one of these productions.
26.
WHAT ARE YOUR VIEWS ON BOOK
TRAILERS? DO THEY SELL BOOKS?
I do not
really have an opinion on this topic, but as Malcolm X said “by all means
necessary”.
27.
DO YOU SEE YOURSELF IN ANY OF YOUR CHARACTERS?
Caliban
was the emotional protagonist in my two volumes of prose-poetry. In one sense,
(as a nascent misfit) I am him, even though in another he is very far from my
etheric shape and astral form.
28.
DOES THE PUBLISHING INDUSTRY FRUSTRATE YOU?
The
so-called publishing industry is run by self-seeking simpletons who will never
understand the real nature of serious literature – and do not really care about
that fact. Apart, that is, from Gwendolyn Taunton and Manticore Press in
Australia.
29.
DID YOU EVER THINK OF QUITTING?
No,
although I frequently think of relocating to the continent of Europe. My only
troubles being that France and Italy are too perfect, while my beloved Spain is
too hot in the summer months.
30.
WHAT WAS YOUR FAVOURITE MANUSCRIPT TO WRITE? WHY?
Without
doubt, my unpublished manuscript on Andy Warhol and the theology of banality
has become my favourite project to date.
31.
HOW WOULD YOU DEFINE
‘SUCCESS’ AS A WRITER?
Winning the Nobel Prize for Literature. Or, failing this, reaching an exceedingly
wide readership characterized by their discerning minds and ethically-informed
hearts. Hey, a man can have dreams.
32.
WHAT SHOULD READERS WALK AWAY FROM YOUR BOOKS KNOWING? HOW SHOULD
THEY FEEL?
They
should know how much they don’t know, along with intuiting how much I do not
know. I suppose I want them to feel philosophically frustrated, as well as
aware of natural aesthetics in the world around us, accompanied by the
potentials inherent in every transcendental form of artistry.
33.
WOULD YOU LIKE TO HAVE YOUR BOOKS MADE INTO MOVIES? EVER WRITTEN A
SCREENPLAY?
Overall, I do not think much of movies as they always seem missed
opportunities artistically. That
confessed, I may explore a screenplay of the life of Artaud next year.
34.
HOW MUCH THOUGHT GOES INTO DESIGNING A BOOK COVER?
Annoyingly,
a great deal of time and energy goes into the designs of my book covers. In
this regard, I have been fortunate enough to find good friends in the artistic
community who have collaborated with me in an attempt to signal the core
concepts within a specific work.
35.
WHAT’S YOUR ULTIMATE DREAM?
To attain Higher Consciousness, a free imagination and be the author of
at least one hundred Conceptualist books.
36.
WRITING IS ONE THING. WHAT
ABOUT MARKETING YOU, YOUR BOOKS AND YOUR BRAND? ANY THOUGHTS?
I have learnt to my detriment that without good distribution and
appropriate marketing even the best of books stay inert in storage. Equally,
branding is one of the productive evils of our modern age: both in terms of the
work and the author. Personally, I find all of this extremely difficult, but to
sell books nowadays, these are essential factors in any professional venture.
37.
ARE YOUR BOOKS
SELF-PUBLISHED?
I have never investigated self-publishing, although I did release a
limited series of privately published poetry pamphlets (A Black Rose on the
Alter) for friends and colleagues interested in my work after moving to London
in the early 80’s. All very traditional, of course, amongst dissenting
wordsmiths in our UK.
38.
DESCRIBE YOURSELF IN FIVE WORDS.
A squat, ugly, overweight, dwarf.
39.
WHAT PISSES YOU OFF MOST?
Social
media.
40.
WHAT IS THE TITLE OF THE LAST BOOK YOU READ? GOOD ONE?
Curiously, it was “The Aesthetic Education of Man” by Friedrick Schiller.
It is lucid, insightful and a strangely compelling text for our era in a way I
hadn’t expected. To my mind, an exceedingly important read throughout the
centuries.
41.
WHAT WOULD BE THE VERY LAST
SENTENCE YOU’D WRITE?
As a Pastor, I have tried to be an all-round good egg, a Conceptualist
poet and a great lay.
42.
WHAT WOULD MAKE YOU HAPPIER
THAN YOU ARE NOW? CARE TO SHARE?
Selling 70 million books like Frederick Forsyth, or actually being able
to make a reasonable living out of poetry.
43.
ANYTHING YOU’D LIKE TO ADD?
So far, my aim to be acknowledged as the
new Artaud has not gone according to plan. In all probability, this is due to
the fact I haven’t finished my definitive tome on the character of British
theatricals in general. Therefore, apart from completing this monster of a
volume, as well as becoming a member of the Sedona elite and washing scorpions
out of my basement, I need to remind young authors that writing is the greatest
blessing and the worst curse ever placed on a human being. After all, there is
something of the truly sacred inside Text.
Clancy's comment: Well done, David. Sad about the dark print but I'm a forgiving man. Good luck.
I'm ...
