BARBARA CRANE
- Guest Author -
G'day folks,
Today, I interview a very sharp and interesting author from Long Beach, California.
Welcome, Barbara ...
1.
TELL US A LITTLE ABOUT
YOURSELF AND YOUR WRITING JOURNEY.
I’ve lived nearly all
my life in Southern California. I grew up in Los Angeles, went to the Bay Area
for college and returned. I now live in Long Beach, California, about 25 miles
south of Los Angeles, near the ocean. I’m a stone’s throw (a long throw!) from
you in Australia. I’ve been writing for over 30 years—creative nonfiction,
short stories and two novels.
2.
WHEN AND HOW DID YOU
BECOME A WRITER?
I’ve always wanted to
be a writer, but I didn’t make any moves in that direction until I joined a
writing group about 30 years ago. Every Tuesday morning, I head up to Los
Angeles to meet with a group of writers who share the importance of having a
creative life. They are poets, short story writers, novelists, memoirists,
journal keepers. The group is led by a gifted Los Angeles poet, Holly Prado. Everyone’s
efforts are critiqued in a way that makes each writer want to take the next
step. Lots of published novels, memoirs, poetry and nonfiction have come out of
that workshop. It’s been very inspiring and has kept me on a creative path.
3.
WHAT TYPE OF PREPARATION DO YOU DO FOR A
MANUSCRIPT? DO YOU PLAN EVERYTHING FIRST OR JUST SHOOT FROM THE HIP?
I wouldn’t exactly say
I shoot from the hip but I don’t plan either. I prepare with a lot of writing
about the characters. I’m searching for who they are, what they are about, what
they want out of life. I write their stories and their thoughts. I don’t usually
use this writing in the short story or novel but it creeps into what I write.
One other thing…I always know the ending before I begin. I don’t try and know
it. I just know it. I’m open to the ending being different than what I
imagined, but so far, the end turns out more or less as I originally envisioned.
4.
WHAT DO YOU ENJOY MOST
ABOUT BEING A WRITER?
I love to write. I love
to sit in my office and invent and imagine and think. I love to find
connections between characters and am excited when things pop up in the writing
that I never expected.
5.
WHAT IS THE HARDEST
THING ABOUT BEING A WRITER?
Sitting down. Getting
to it, especially a first draft. A first draft is kind of hell on earth. I
sleep a lot. I snack. I water plants. I try not to call friends, but sometimes
I give in.
6.
WHAT WERE YOU IN A
PAST LIFE, BEFORE YOU BECAME A WRITER?
I was a teacher for
some years. Then, a partner and I started a training and development business, where
we created and taught corporate training programs. I wrote for newspapers and
magazines about business. From the time I left teaching, I always went to my
writing group every Tuesday morning and always was working on some creative
writing project at the same time I was working to earn a living.
7.
WHAT IS YOUR GREATEST
WRITING ACHIEVEMENT?
I’m happiest with the
novel I just published, When Water Was
Everywhere. It’s an historical novel set in Los Angeles when California was
part of Mexico in the 1840s. It took ten years and a lot of research.
8.
WHAT ARE YOU WORKING
ON AT THE MOMENT?
I’m not doing much
creative writing at the moment. I’m spending most of my time marketing When Water Was Everywhere. I’m in a kind
of strange moment. After years of working on this novel, I have some vague
ideas of what I want to do next, but no way to get there yet. No characters, no
story, no ending. Whew! It’s a tough time creatively. I’m going to do some art
to take the pressure off myself of having to write.
9.
WHAT INSPIRES YOU?
Great question. Almost
anything. A song lyric, a conversation with a friend, a memory, something my
grandchild says, a fragrance in the air, the way the light falls on the trees.
10.
WHAT GENRE DO YOU
WRITE?
Until I wrote this
latest novel, which is historical fiction, I would have said that I don’t write
a genre. I write what interests me. After writing When Water Was Everywhere, I’m very attracted to writing more
historical fiction.
11.
DO YOU HAVE ANY TIPS
FOR NEW WRITERS?
Write. Don’t let anyone
or anything stop you. Don’t show your writing to friends unless you are
absolutely sure they will understand what you want from their reading. Don’t
ask for critique and don’t believe them if they tell you what they don’t like.
Every writer experiences a lot of criticism. You don’t need to hear it when you
are starting out. Do find a supportive community that encourages you to write
and gives you helpful feedback.
12.
DO YOU SUFFER FROM WRITER’S BLOCK?
I try not to think
about an “uncreative time” as writer’s block. Maybe it’s downtime that I need.
Maybe it’s a lot of ideas that haven’t coalesced into a story. Maybe it’s that
I don’t want to work on anything “important” for a while.
I did have a serious
case of writer’s block after college. An English teaching assistant brutally critiqued
a paper when I was a freshman. For years, I didn’t write. About a dozen years
later, another English professor, a really fine person, said something about
writer’s block (I wish I remembered what it was!), and I felt a release from
the nagging critic I had carried around. From then on, I wrote.
13.
DO YOU HAVE A PREFERRED
WRITING SCHEDULE?
Preferred, yes, but
it doesn’t happen this way very often. Get up early, go to the gym, sit down at
my computer and write until 2:00. Eat lunch, do errands, eat dinner and go back
to my computer for another hour or two. As I said, that doesn’t happen very
often. First drafts are much more sporadic. Later drafts capture my attention.
I can stick to them with a more disciplined schedule.
14.
DO YOU HAVE A
FAVOURITE WRITING PLACE?
I can pretty much only
write seriously when I’m sitting in my office at my computer. Oh, also on an
airplane. I love to write on airplanes.
15.
WHAT IS YOUR GREATEST
JOY IN WRITING?
Seeing something come
onto the page that I never expected.
16.
WHO IS YOUR FAVOURITE
AUTHOR AND WHY?
I love the American
writer Zora Neale Hurston. She was a black anthropologist, folklorist, fiction
writer who lived and contributed to the Harlem Renaissance in the 1920s. She
wrote my favorite book Their Eyes Were
Watching God. I love her prose. It’s magical to me.
17.
WHAT’S THE GREATEST
COMPLIMENT YOU EVER RECEIVED FROM A READER?
People tell me that
after reading When Water Was Everywhere,
they see Los Angeles in a new way. They see it as it was in the 1840s when
water flowed from the mountains into the vast basin that is now Southern
California. I wanted people to see that because it’s become the Los Angeles and
Southern California I know.
18.
WHAT WAS THE WORST
COMMENT FROM A READER?
I try not to dwell on
those. I don’t want anything to affect my thinking about what I’m going to
write next.
19.
WRITERS ARE SOMETIMES
INFLUENCED BY THINGS THAT HAPPEN IN THEIR OWN LIVES. ARE YOU?
If I’m writing creative
nonfiction, I am. My first novel, The
Oldest Things in the World, was semi-autobiographical, so, yes, it was
greatly influenced by things that happened in my own life. But for many of my
stories and my most recent novel, I think that my life experience in general,
not individual incidents, have influenced my writing.
20.
OTHER THAN WRITING,
WHAT ELSE DO YOU LOVE?
I love spending time
with my husband, my family and friends. I love hiking in the mountains, any
mountains, but particularly in our national parks. I love to travel and see how
people in other countries live. I visit art museums because I love art and the
creative process. I love reading.
21.
DID YOU HAVE YOUR BOOK
/ BOOKS PROFESSIONALLY EDITED BEFORE PUBLICATION?
I had When Water Was Everywhere edited
professionally. I think it’s important to “put your best foot forward,” so to
speak.
22. DESCRIBE YOUR PERFECT
DAY.
The answer I gave in to
question number 14 pretty much says it all.
23.
IF YOU WERE STUCK ON A
DESERT ISLAND WITH ONE PERSON, WHO WOULD IT BE? WHY?
My husband. He’s
incredibly resourceful and kind. I trust him.
24.
WHAT WOULD YOU SAY IF
YOU HAD THE CHANCE TO SPEAK TO WORLD LEADERS?
In a perfect world, I’d
tell them to stop making war and let people live their lives in peace. Since
it’s a very imperfect world made up of billions of imperfect human beings, I
don’t think anything I said would make any difference.
25.
WHAT ARE YOUR PLANS
FOR THE FUTURE?
To keep writing, to
keep smiling, to keep loving people (well, most of them!).
26.
WHAT ARE YOUR VIEWS ON BOOK TRAILERS? DO THEY
SELL BOOKS?
I’m sorry, but I don’t
know what book trailers are.
27.
DO YOU SEE YOURSELF IN
ANY OF YOUR CHARACTERS?
I see a little of
myself in every character but I don’t “model” a character after myself, except
the main character in my first novel, which was semi-autobiographical.
28.
DOES THE PUBLISHING
INDUSTRY FRUSTRATE YOU?
It did until a few
friends and I decided to start our own publishing company, Lagoon House Press.
It’s a cooperative press, meaning that it exists to publish our own work,
although we may take on other authors as we go along. You can see what we’re
about at www.lagoonhousepress.com.
29.
DID YOU EVER THINK OF
QUITTING?
Sure, for a minute or
two. I can’t quit. I have an inner drive that keeps me moving. When I have an
idea, I have to put it into action. Sometimes I wish I could quit!
30.
WHAT WAS YOUR
FAVOURITE MANUSCRIPT TO WRITE? WHY?
Without a doubt, it’s When Water Was Everywhere. I was very
invested in the setting and making it come alive for readers. I grew more
invested in the characters the more I knew about them.
31.
HOW WOULD YOU DEFINE ‘SUCCESS’ AS A WRITER?
When I was in my 30s and 40s, success would have been to be
a bestselling author. Now, as a grandmother, I feel I have achieved success in
publishing a book I love and pursuing as many avenues as I can find to get it
in readers’ hands or on their e-readers.
32.
WHAT SHOULD READERS WALK AWAY FROM YOUR BOOKS KNOWING? HOW SHOULD THEY
FEEL?
I’d like them to know the Los Angeles that I know, the
natural world that was once Los Angeles. I’d like them to feel satisfied with
the characters and the way the story unfolded.
33.
WOULD YOU LIKE TO HAVE YOUR BOOKS MADE INTO MOVIES? EVER WRITTEN A
SCREENPLAY?
I can’t see this book as a movie, but I can see it as a
modern opera. I think it’s a perfect story for an opera because it contains
tragedy and perseverance, loss of faith and redemption.
34.
HOW MUCH THOUGHT GOES INTO DESIGNING A BOOK COVER?
I called on an excellent book designer, Mike Ellison of
Ellison/Godreau graphic designers. I talked about the book to him and gave him
some images I thought he might use. I was blown away by the choices he gave me,
especially the one I chose.
35.
WHAT’S YOUR ULTIMATE DREAM?
For my life, just to keep doing what I’m doing for as long
as I can. For my writing, to settle on another story to tell.
36.
WRITING IS ONE THING. WHAT ABOUT
MARKETING YOU, YOUR BOOKS AND YOUR BRAND? ANY THOUGHTS?
I have a lot to learn in this area. I didn’t do much
marketing for my first book. For this one, I’ve decided to give it all I can
for a year. Marketing takes a lot of time, research and perseverance. I do the
social media stuff, like Facebook, LinkedIn and Instagram. I have a blog on our
Lagoon House Press website. I’ve sent out copies for review. The book was just
published two months ago, so I’m just at the beginning of this journey.
37.
ARE YOUR BOOKS SELF-PUBLISHED?
Yes, they are. I’ve received some independent critical recognition
for my writing. The Oldest Things in the
World won a fiction prize from ForeWord magazine. I’ve won literary prizes
for my short fiction.
38.
DESCRIBE YOURSELF IN FIVE WORDS.
Empathetic, kind, love to laugh, driven, intelligent. (More
than five words, and all brutally honest!)
39.
WHAT PISSES YOU OFF MOST?
Don’t get me started!
40.
WHAT IS THE TITLE OF THE LAST BOOK YOU READ? GOOD ONE?
I went back to a book I hadn’t read since college, Lord Jim by Joseph Conrad. I love it.
41.
WHAT WOULD BE THE VERY LAST
SENTENCE YOU’D WRITE?
“I hope I’ll be remembered well.”
42.
WHAT WOULD MAKE
YOU HAPPIER THAN YOU ARE NOW? CARE TO SHARE?
I would share if I could think of what would make me
happier than I am now.
43. ANYTHING YOU’D LIKE TO ADD?
Wonderful questions. Thanks for giving me the opportunity
to answer them.
BLURB:
Once upon a time
in Los Angeles, water was everywhere—in rivers that rendered the vast plain marsh
and woodland; in underground streams that provided an abundance of water for
people, cattle, orchards and vineyards. The American Henry Scott encounters
this fertile landscape in When Water Was
Everywhere. Arriving in the Mexican pueblo of Los Angeles in 1842, he meets
Don Rodrigo Tilman (based on the historical John Temple). Scott becomes the
foreman of Tilman’s newly-purchased cattle ranch along the Los Angeles River,
the present day Rancho Los Cerritos.
As Scott learns about ranchos and cattle, vaqueros and Indians, Mexican California and Tongva Indian village life come alive under Barbara Crane’s deft grasp of narrative and history. Tilman, Scott, Big Headed Girl (a young Tongva Indian woman) and Padre José’s (a Franciscan friar) unfolding stories assure the novel’s themes of loss, hope and redemption resonate from every page.
As Scott learns about ranchos and cattle, vaqueros and Indians, Mexican California and Tongva Indian village life come alive under Barbara Crane’s deft grasp of narrative and history. Tilman, Scott, Big Headed Girl (a young Tongva Indian woman) and Padre José’s (a Franciscan friar) unfolding stories assure the novel’s themes of loss, hope and redemption resonate from every page.
Clancy's comment: Thank you, Barbara. Loved your answer to question 39! Good luck. Keep going.
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