30 March 2015 - FACTS ABOUT TRAINS


FACTS ABOUT TRAINS

G'day folks,

Welcome to some facts about the 'Iron Horse'. I love using trains when travelling, especially  in Asia. For a photographer, they provide a great view of the countryside.

The development of the steam locomotive in the early 19th century transformed the world, carrying people and goods at unprecedented speeds around the globe. America's first steam-powered railroad—the Baltimore & Ohio—opened in 1830, and within decades hundreds of thousands of railway miles crisscrossed the nation. Today, 182 years later, the descendants of those first railroads—including CSX Transportation—continue to play a key role in our lives, moving millions of carloads of freight each year. From the earliest steam locomotives to today’s high-speed “bullet trains,” here are eight things you may not know about the “iron horse.”




1.    The term “horsepower” originated as a marketing tool.


James Watt didn’t invent the steam engine, but he did create the world’s first modern one, and developed the means of measuring its power. In the 1760s, the Scottish inventor began tinkering with an earlier version of the engine designed by Thomas Newcomen. Newcomen’s design required constant cooling down and re-heating, wasting vast amounts of energy. Watt’s innovation was to add a separate condenser, greatly improving the engine’s efficiency. A savvy salesman, Watt knew that he needed a way to market his new product. He calculated how much power a single horse working in a mill could produce over a period of time (though many scientists now believe his estimates were far too high), a figure that he dubbed “horsepower.” Using this unit of measurement, he then came up with a figure that indicated how many horses just one of his engines could replace. The sales ploy worked—we’re still using the term “horsepower” today—and his engines soon became the industry standard, leading directly to invention of the first steam locomotive in 1804.




2.    America’s first steam locomotive lost a race to a horse.


In 1827, the Baltimore and Ohio Railroad became the first U.S. company granted a charter for transporting both passengers and freight. However, the company struggled to produce a steam engine capable of traveling over rough and uneven terrain, instead relying on horse-drawn trains. Enter industrialist Peter Cooper: Cooper, who not coincidentally owned extensive land holdings over the proposed route of the railroad (the value of which would grow dramatically if the railroad succeeded), offered to design and build just such an engine. On August 28, 1830, Cooper’s engine, which he called the “Tom Thumb,” was undergoing testing on B&O tracks near Baltimore when a horse-drawn train pulled up alongside it and challenged Cooper (and “Tom Thumb”) to a race. Cooper accepted, and the race was on. The steam engine quickly roared into the lead, but when a belt broke loose it was forced to retire, and the horse crossed the finish line first. However, B&O executives, impressed with the massive power and speed Cooper’s engine had proven capable of, made the decision to convert their fledgling railroad to steam. The B&O became one of the most successful railways in the United States, and Cooper (with his newly minted fortune) went on to a career as an investor and philanthropist, donating the money for New York’s Cooper Union for the Advancement of Science and Art.


3.    Trains helped the North win the American Civil War.


Throughout the war, railroads enabled the quick transport of large numbers of soldiers and heavy artillery over long distances. One of the most significant uses of trains came after the Battle of Chickamauga in September 1863, when Abraham Lincoln was able to send 20,000 badly needed replacement troops more than 1,200 miles from Washington, D.C. to Georgia (in just 11 days) to fortify Union forces—the longest and fastest troop movement of the 19th century. Control of the railroad in a region was crucial to military success, and railroads were often targets for military attacks aimed at cutting off the enemy from its supplies. Union General William Tecumseh Sherman provided particularly adept at the art of railroad sabotage. During his infamous “March” through Georgia and the Carolinas, his men destroyed thousands of miles of Confederate rails, leaving heaps of heated, twisted iron that southerners wearily referred to as “Sherman’s neckties.”


4.    Abraham Lincoln’s assassination helped publicize train travel.


George Pullman, who had made a name for himself during the 1850s as a self-trained engineer and building mover in Chicago, began tinkering with the idea of a comfortable railroad “sleeping car” after a particularly uncomfortable train ride in upstate New York. By 1863, he had produced his first two models, the Pioneer and the Springfield, named for the Illinois hometown of then-President Abraham Lincoln. Pullman’s cars were indeed comfortable, but they were also prohibitively expensive and few railroad companies were interested in leasing them—until President Lincoln’s assassination in April 1865. After Lincoln’s death,, a Pullman car was used as part of the cortege that travelled through several Northern cities before returning his body to Illinois. The funeral train was front-page news, and when Pullman also temporarily loaned one of his beautiful sleeper cars to a grief-stricken Mary Todd Lincoln, the publicity poured in. Two years later, he established the Pullman Palace Car Company, which would revolutionize train travel around the world. Curiously enough, when Pullman died in 1897, his replacement as head of the company was none other than Robert Todd Lincoln, the slain president’s eldest son.

A 'CT' shot in Thailand.


5.    The world’s first travel agency got its start thanks to a train trip.


In 1841, Englishman Thomas Cook, a Baptist minister, organized a train excursion for 540 parishioners to attend a temperance meeting in London. Cook negotiated a set fare for passengers, including tickets and a meal. The trip was so successful that he expanded his operations, first within the United Kingdom and then to the United States and Europe, providing passengers with comprehensive packages including transportation, accommodations and meals. In 1873, the agency, now known as Thomas Cook and Son, launched an international railway timetable, still published today, and by 1890 they were selling more than 3 million rail tickets annually.


6.    The railroads also gave us standardized time zones.


Britain adopted a standardized time system in 1847, but it took nearly 40 more years before the United States joined the club. America still ran on local time, which could vary from town to town (and within cities themselves), making scheduling arrival, departure, and connection times nearly impossible. After years of lobbying for standardized time, representatives from all major U.S. railways met on October 11, 1883, for what became known as the General Time Convention, where they adopted a proposal that would establish five time zones spanning the country: Eastern, Central, Mountain and Pacific. The plan originally called for a fifth time zone, the Intercontinental, which was instituted several years later and became known as Atlantic Time. At noon on November 18, the U.S. Naval Observatory sent out a telegraph signal marking 12:00 pm ET, and railway office in cities and towns across the country calibrated their clocks accordingly. However, it wasn’t until 1918 that standard time became the official law of the land, when Congress passed legislation recognizing the time zone system (and instituting a new “daylight savings time” designed to conserve resources for the World War I war effort).

'CT' in a train in Laos.


7.    The miles of railroad track in the United States reached its peak in 1916.


It didn’t take long for railroads to catch on in the United States. The same year that the “Tom Thumb” lost its race, there were just 23 miles of railroad tracks in the United States. But within 20 years there were more than 9,000, as the U.S. government passed its first Railroad Land Grant Act, designed to attract settlers to the undeveloped parts of the country. By the beginning of the Civil War in 1861, there were 30,000 miles (more than 21,000 of them in the North), and lobbyists were clamoring for a transcontinental system across the nation. The number of railroad miles continued to climb until hitting its peak in 1916. That year there were more than 250,000 miles of track—enough to reach the moon from Earth.


8.    Today’s bullet trains can top 300 mph.


When Englishman Richard Trevithick launched the first practical steam locomotive in 1804, it averaged less than 10 mph. Today, several high-speed rail lines are regularly travelling 30 times as fast. When Japan’s first Shinkansen or “bullet trains,” opened to coincide with the 1964 Tokyo Olympics, they were capable of running at speeds in excess of 130 mph. In the 40 years since, the top speed of these trains has been steadily climbing, with a current world speed record of 361 mph. Japan is no longer alone in the high-speed rail department however: France, China and Germany all operate trains capable of similar extreme speeds, and the plans are currently underway in the United States to construct a high-speed rail line connecting the California cities of San Francisco and Anaheim.





Clancy's comment:  Yep, I love trains, more than I like busses and planes. But, I guess planes are okay. They are much quicker than swimming.

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29 March 2015 - TIPS FROM FAMOUS AUTHORS


TIPS FROM FAMOUS AUTHORS

G'day folks,

Welcome to some great tips from some well-known authors. Hope they inspire you writers.



So what can we do to improve our writing? Below, find 25 snippets of insight from some exceptional authors. While they are all focused on the craft of writing, most of these tips pertain to pushing forward creative projects of any kind.


1. PD James: On just sitting down and doing it…

Don’t just plan to write—write. It is only by writing, not dreaming about it, that we develop our own style.


2. Steven Pressfield: On starting before you’re ready…

[The] Resistance knows that the longer we noodle around “getting ready,” the more time and opportunity we’ll have to sabotage ourselves. Resistance loves it when we hesitate, when we over-prepare. The answer: plunge in.




3. Esther Freud: On finding your routine…

Find your best time of the day for writing and write. Don’t let anything else interfere. Afterwards it won’t matter to you that the kitchen is a mess.


4. Zadie Smith: On unplugging…

Work on a computer that is disconnected from the internet.


5. Kurt Vonnegut: On finding a subject…

Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, and not your games with language, which will be the most compelling and seductive element in your style. I am not urging you to write a novel, by the way — although I would not be sorry if you wrote one, provided you genuinely cared about something. A petition to the mayor about a pothole in front of your house or a love letter to the girl next door will do.


6. Maryn McKenna: On keeping your thoughts organized…

Find an organizational scheme for your notes and materials; keep up with it (if you are transcribing sound files or notebooks, don’t let yourself fall behind); and be faithful to it: Don’t obsess over an apparently better scheme that someone else has.  At some point during your work, someone will release what looks like a brilliant piece of software that will solve all your problems. Resist the urge to try it out, whatever it is, unless 1) it is endorsed by people whose working methods you already know to be like your own and 2) you know you can implement it quickly and easily without a lot of backfilling. Reworking organizational schemes is incredibly seductive and a massive timesuck.


7. Bill Wasik: On the importance of having an outline…

Hone your outline and then cling to it as a lifeline. You can adjust it in mid-stream, but don’t try to just write your way into a better structure: think about the right structure and then write to it. Your outline will get you through those periods when you can’t possibly imagine ever finishing the damn thing — at those times, your outline will let you see it as a sequence of manageable 1,000 word sections.




8. Joshua Wolf Shenk: On getting through that first draft…

Get through a draft as quickly as possible. Hard to know the shape of the thing until you have a draft. Literally, when I wrote the last page of my first draft of “Lincoln’s Melancholy” I thought, Oh, shit, now I get the shape of this. But I had wasted years, literally years, writing and re-writing the first third to first half. The old writer’s rule applies: Have the courage to write badly.


9. Sarah Waters: On being disciplined…

Treat writing as a job. Be disciplined. Lots of writers get a bit OCD-ish about this. Graham Greene famously wrote 500 words a day. Jean Plaidy managed 5,000 before lunch, then spent the afternoon answering fan mail. My minimum is 1,000 words a day – which is sometimes easy to achieve, and is sometimes, frankly, like shitting a brick, but I will make myself stay at my desk until I’ve got there, because I know that by doing that I am inching the book forward. Those 1,000 words might well be rubbish – they often are. But then, it is always easier to return to rubbish words at a later date and make them better.


10. Jennifer Egan: On being willing to write badly…

[Be] willing to write really badly. It won’t hurt you to do that. I think there is this fear of writing badly, something primal about it, like: “This bad stuff is coming out of me…” Forget it! Let it float away and the good stuff follows. For me, the bad beginning is just something to build on. It’s no big deal. You have to give yourself permission to do that because you can’t expect to write regularly and always write well. That’s when people get into the habit of waiting for the good moments, and that is where I think writer’s block comes from. Like: It’s not happening. Well, maybe good writing isn’t happening, but let some bad writing happen… When I was writing “The Keep,” my writing was so terrible. It was God-awful. My working title for that first draft was, A Short Bad Novel. I thought: “How can I disappoint?”


11. AL Kennedy: On fear…

Be without fear. This is impossible, but let the small fears drive your rewriting and set aside the large ones until they behave – then use them, maybe even write them. Too much fear and all you’ll get is silence.


12. Will Self: On not looking back…

Don’t look back until you’ve written an entire draft, just begin each day from the last sentence you wrote the preceeding day. This prevents those cringing feelings, and means that you have a substantial body of work before you get down to the real work which is all in… The edit.


13. Haruki Murakami: On building up your ability to concentrate…

In private correspondence the great mystery writer Raymond Chandler once confessed that even if he didn’t write anything, he made sure he sat down at his desk every single day and concentrated. I understand the purpose behind his doing this. This is the way Chandler gave himself the physical stamina a professional writer needs, quietly strengthening his willpower. This sort of daily training was indispensable to him.




14. Geoff Dyer: On the power of multiple projects…

Have more than one idea on the go at any one time. If it’s a choice between writing a book and doing nothing I will always choose the latter. It’s only if I have an idea for two books that I choose one rather than the other. I always have to feel that I’m bunking off from something.


15. Augusten Burroughs: On who to hang out with…

Don’t hang around with people who are negative and who are not supportive of your writing. Make friends with writers so that you have a community. Hopefully, your community of writer friends will be good and they’ll give you good feedback and good criticism on your writing but really the best way to be a writer is to be a writer.


16. Neil Gaiman: On feedback…

When people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.


17. Margaret Atwood: On second readers…

You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. You’ve been backstage. You’ve seen how the rabbits were smuggled into the hat. Therefore ask a reading friend or two to look at it before you give it to anyone in the publishing business. This friend should not be someone with whom you have a romantic relationship, unless you want to break up.




18. Richard Ford: On others’ fame and success…

Try to think of others’ good luck as encouragement to yourself.


19. Helen Dunmore: On when to stop…

Finish the day’s writing when you still want to continue.


20. Hilary Mantel: On getting stuck…

If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don’t just stick there scowling at the problem. But don’t make telephone calls or go to a party; if you do, other people’s words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.


21. Annie Dillard: On things getting out of control…

A work in progress quickly becomes feral. It reverts to a wild state overnight… it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room. You enter its room with bravura, holding a chair at the thing and shouting, ‘Simba!’


22. Cory Doctorow: On writing when the going gets tough…

Write even when the world is chaotic. You don’t need a cigarette, silence, music, a comfortable chair, or inner peace to write. You just need ten minutes and a writing implement.


23. Chinua Achebe: On doing all that you can…

I believe myself that a good writer doesn’t really need to be told anything except to keep at it. Just think of the work you’ve set yourself to do, and do it as well as you can. Once you have really done all you can, then you can show it to people. But I find this is increasingly not the case with the younger people. They do a first draft and want somebody to finish it off for them with good advice. So I just maneuver myself out of this. I say, Keep at it. I grew up recognizing that there was nobody to give me any advice and that you do your best and if it’s not good enough, someday you will come to terms with that.




24. Joyce Carol Oates: On persevering…

I have forced myself to begin writing when I’ve been utterly exhausted, when I’ve felt my soul as thin as a playing card, when nothing has seemed worth enduring for another five minutes… and somehow the activity of writing changes everything. Or appears to do so.


25. Anne Enright: On why none of this advice really matters…

The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.



Clancy's comment: I hope these have inspired you. And, my tip? Find something you are passionate about and write passionately about it.

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