STEFAN VUCAK
- Guest Editor -
G'day folks,
Today, I present a very clever editor who knows a lot about presentation. Stefan has previously appeared on this blog as an author, but today he is my guest editor. Stefan Vucak has written eight Shadow Gods saga sci-fi novels, which includes With Shadow and Thunder, a 2002 EPPIE finalist.
His political thriller Cry of Eagles won the coveted 2011 Readers’ Favorite silver medal, and his All the Evils was the 2013 prestigious Eric Hoffer contest finalist and Readers’ Favorite silver medal winner. Strike for Honor won the gold medal.
Stefan leveraged a successful career in the Information Technology industry and applied that discipline to create realistic storylines for his books. When not writing, he is an editor and book reviewer. He lives in Melbourne, Australia.
Stefan leveraged a successful career in the Information Technology industry and applied that discipline to create realistic storylines for his books. When not writing, he is an editor and book reviewer. He lives in Melbourne, Australia.
Welcome, Stefan ...
1.
TELL US A LITTLE ABOUT
YOURSELF AND YOUR BOOK-EDITING JOURNEY.
As a kid, I liked doing things all
other kids liked doing – stopping my parents from finding things out – until I
discovered books. After that, I was gone, lost in universes those books opened
for me and dreaming of writing my own novel. I had a great time at school, even
though English and its convoluted grammar rules did give me some trouble, but
those rules gave me a grounding how to write. My first effort was pretty awful
and I am glad it will never see the light of day. The thing went through two
rewrites, but it still isn’t something I want to share. Call it my training
wheels.
My first successful book, although not
perfect, a science fiction work, was presentable enough to win an award, and I
tried for a long time to break into the traditional publishing market while
holding down a demanding job in the IT industry. But writing has always been a
passion and a drive, and I kept at it in my spare time. When e-book publishing
took off, I had a chance to get my books to readers. These days, I am no longer
in the IT industry and I spend my time writing, reviewing and being a hardnosed
editor. It hasn’t been a bad journey, enabling me to produce eight sci-fi books
and five political drama/thriller novels. As long as that fire of creation
burns within me, I will keep writing.
My metamorphosis into a book editor
evolved from a stark necessity to edit my own work. After sending material to
so-called professional editors – and paying them for their work – only to find
lots of unresolved bloopers, it became obvious that I needed to learn the trade
myself. I read somewhere that every writer must learn to become his own worst
editor, and I firmly believe in that maxim. The golden days of publishing where
an author can expect the publishing house to do all the editing are long gone.
Today, publishers and readers expect perfection, and rightly so! Unfortunately,
with the advent of easy self-publishing options, I have seen lots of books that
should never have seen the light of day.
Building on my own experience, I
compiled a book of essays which I hope will help fellow writers overcome some
of the problems I went through.
Writing Tips for Authors
2.
WERE YOU A GOOD READER
AS A KID?
I was an avid reader. I remember
picking up an illustrated copy of 20,000
Leagues Under the Sea by Jules Verne. When I discovered a city library on
the corner from my primary school, I was hooked. I used to bring books home and
read – at the expense of doing my homework, which didn’t go down well with my
mother, who had to give me physical stimulation to get me focused on
schoolwork. I read across many genres, and much of what I read has stuck with
me today, enriching me and showing me a world beyond my immediate neighbourhood
I never knew existed. That passion to read has never left me, and I hope it
never will.
3.
WHEN AND HOW DID YOU
BECOME A BOOK EDITOR?
After I thought I had the basic editing
craft mastered fairly well – there is always
room for improvement – I approached my first e-book publisher offering to be a
submissions editor. That meant reading a book and providing feedback on its
suitability for publishing. That led to actually edit accepted manuscripts. As
I changed my publishers, I made the same offer, expanding my skills all the
time. At some point, I decided to branch out, offering my services directly to
writers, using social media outlets to promote myself. As expected, some books
are very well written and my editing relatively stress free, but too often,
manuscripts need a lot of work to bend them into shape suitable to unleash on
unsuspecting readers. However, that’s part of being a professional editor. If
an author wishes his or her book edited and is happy for me to do the work, I
always give them my unreserved best.
4.
WHY A BOOK EDITOR?
I guess it was a natural evolution. I
had to learn the editing craft to edit my own books, which led to the desire to
offer my skills to other writers who may not have fully developed their editing
skills. After going over some of my early novels, I am still finding bloopers I
left behind, or past editors left behind. As I have found, a book is never
fully edited. However, a point of diminishing returns is reached when polishing
the book further simply isn’t worth the effort.
Even though I consider myself a fairly
good editor, when I finish a book to a point where I think it is ready for
publication, I always send it to another editor to proofread, not edit. After
staring at the damned manuscript for perhaps nine months or so, it is amazing
how the brain can trick you, inserting automatic corrections. That is why it is
important to have someone else look at my book – and so should every writer.
5.
WHAT DO YOU ENJOY MOST
ABOUT BEING AN EDITOR?
Apart from being exposed to a new
story, a new adventure, or explore a non-fiction work that gives me information
I may not have had, I guess the most enjoyable part of being an editor is the
satisfaction of knowing the author will have a better product to present to his
or her readers as a result of what I do to their manuscript. As part of the
editing process, I not only provide obvious mechanical corrections to grammar
and syntax covered by the editing agreement, I also include comments on story
structure, plotting, characterization, and suggestions for the author to
consider. I never rewrite passages, although I do so for sentences. I am a firm
believer that the manuscript is the product of the writer, and it is not up to
me to force my own style or point of view on the manuscript. I may not
necessarily like what the author has written, but that does not interfere with my
effort to provide the author with a professional service.
6.
WHAT IS THE HARDEST
THING ABOUT YOUR JOB?
The difficulty being an editor is
telling an author the manuscript cannot be salvaged without extensive
rewriting. I hate doing that, knowing what effort every writer puts into his or
her creation – having gone through that myself. When I encounter such a
manuscript, I don’t have to edit the whole thing to know it needs extensive
rework to make it suitable for publication. I can tell within the first five to
ten pages, and that is how I price my work. Some manuscripts I accepted were tough
and required a lot of work on my part, but that is what I signed up for. During
the editing process, I involve the author, requiring him or her to participate,
the experience hopefully developing the author’s writing and self-editing
skills.
7.
WHAT WERE YOU IN A
PAST LIFE, BEFORE YOU BECAME AN EDITOR?
Hah, that’s easy! I was a writer, of
course, and still am, having produced eight hard science fiction novels and
five contemporary political drama books, most of them winning awards. Ever
since I started reading, I wanted to write. It didn’t seem all that hard...until
I tried it myself. I wrote a number of short stories before tackling a full
length novel, those stories acting as my training ground – as did that first
novel.
But I didn’t start writing seriously
until I finished university. Even then, I had to take snatches of time to
write, having to hold down a job in the IT industry that provided me the means
to live. During my professional working career, I managed to produce seven
sci-fi books in the Shadow Gods Saga series. However, the passion to write
never left me, and as that passion grew, I reached a point where I could retire
from full-time work and devote all my time to writing, editing, and book
reviewing.
8.
WHAT GENRE’ DO YOU PREFER
TO EDIT? WHY?
With the exception of romance and
children’s books, I am prepared to edit a work in any genre. I don’t
specialize, believing that exposure to a broad range of books will expand my
experience and knowledge, which I found comes handy writing my own books. Of
course, editing a non-fiction work can be tough and takes a different approach
when editing fiction. In non-fiction, whatever ‘facts’ the author presents need
to be verified, and it is surprising how many times writers don’t do their
research, making me wince at an obvious error. Still, that’s how things go.
9.
DO YOU HAVE ANY TIPS
FOR NEW WRITERS?
If there is one thing I learned over the years as a
writer, if anyone is contemplating taking this on seriously, he or she should
be prepared to spend many lonely hours with a pencil and paper, and sitting behind
a computer screen. There will be disappointments, frustration, angst...and
moments of sheer exhilaration and satisfaction when the words flow and the
creative process produces something wonderful. Writing is a gift, but it can
also be a curse. But once bitten with the urge to create, there is no cure.
Of course, there is always the challenge to master the
technical basics of writing, something that many self-published writers have
ignored. In my view, it is a matter of taking professional pride in producing
the best novel an author can deliver, while employing a disciplined approach to
writing. An engineer uses a set of tools in his profession to perform his work.
A writer also has a set of tools: the English language. That tool must be
mastered if an author wishes to consider himself or herself a professional.
Anything less, in my opinion, is letting down the readers.
10. DO YOU HAVE A PREFERRED TIME TO EDIT?
It all depends on what I am engaged
in. At times my own writing will keep me fairly busy, not giving me an
opportunity to edit someone else’s book. However, there are times when I need a
break from my writing and am happy to tackle an editing assignment. Once I do
get an editing job, I devote all the time necessary to complete it within the
agreed timeframe – or sooner. I am fastidious about this. Having had editors
procrastinate on my books is frustrating, and is something I never put my
clients through. As to when I edit? It can be any time of the day. It all
depends on what commitments I have on that day. Generally, though, I prefer to
work in the morning. I try to avoid editing in the afternoon and at night after
having had a full day. It is not a hard rule, and I do edit at night sometimes.
11. WHAT’S THE GREATEST COMPLIMENT YOU
EVER RECEIVED FROM A WRITER?
Not all comments I received were
complimentary! However, when an author tells me what I have done to the
manuscript really made it more presentable, and my comments helped to address a
particular problem or problems; that is satisfying. It is an acknowledgment
that what I am doing does make a difference, which is one of the objectives of
being an editor.
12. DO SOME OF YOUR CLIENTS FRUSTRATE
YOU?
Of course, there is always an author
who thinks the book ‘only needs a quick proofread’, unaware of the minefield
awaiting his or her innocent reader. Pointing out what are sometimes obvious
grammar and punctuation errors comes as a rude shock to the author, and not
always appreciated. Problems usually surface with writers who are too attached
to their work, believing the book is perfect. When problems are pointed out,
some react negatively, denying there are problems, insisting I am forcing my
own style on their precious book. When that happens, I don’t take it
personally. I give every author my professional output. It is up to him or her
to accept or reject what I have done.
13. WRITERS ARE SOMETIMES INFLUENCED BY
THINGS THAT HAPPEN IN THEIR OWN LIVES. ARE YOU AS AN EDITOR?
Every individual is a tapestry of
experiences and knowledge accumulated over a lifetime, whether short or long.
These cannot help but influence an individual’s behaviour and approach to any
task. However, when I put on my editor hat, I use my accumulated experience to
do the best editing job I can for the author. They deserve nothing else from
me. The principle I work with when editing is that I am completely impartial. I
am an editor, a second pair of eyes for the author helping to polish a book.
Whatever personal views I might have are provided as comments for the author to
apply or reject as he or she sees fit.
14. OTHER THAN EDITING, WHAT ELSE DO YOU
LOVE?
Well, when not writing, I do book
reviews. That can be an exercise in frustration, as many books out there,
especially those self-published, should never have surfaced. But when I come
across a well written novel with a great plot and characterization, it makes up
for all those others. I play golf, still mastering the art of making that little
white sucker go where I want it to, but I am getting better at it. Of course,
when I am not doing anything else, I like to read or watch a good movie.
15. ARE SOME MANUSCRIPTS DIFFICULT TO
REVIEW? WHY?
Some manuscripts are difficult to
proofread or edit. An author may want me to only proofread a manuscript, which
I am happy to do. However, with some of those, I identify enough grammar, plot,
characterization, or other problems, that I am forced to recommend to the
author to have the manuscript fully edited. I hate doing that, as the author
may suspect I am doing this simply to get more money out of him or her. That
can happen with some editors, of course. It happened to me more than once.
However, when I make such a recommendation, I provide direct evidence to the
author why a full edit would benefit the work, then leave the final decision to
the author.
As I mentioned before, I can tell
within the first five or ten pages the degree of work involved editing a
particular manuscript, and I provide a sample edit to back up my quote. I don’t
shy away from tackling a difficult – not well written – manuscript. However,
the quote I provide to the author reflects the degree of that difficulty. It is
up to the author to accept or reject my quote. Of course, after progressing
through a manuscript, I might find problems that make the editing job much more
challenging. When that happens, I always comment to the author, giving him or
her options how that problem or problems could be resolved. I don’t rewrite,
something that is always outside the scope of being an editor.
See the Services page of my website
for further information:
Clancy's comment: Thank you, Stefan. Folks, I can highly recommend this man. I have utilised his services and found him to be very professional and most capable. Stefan's knowledge of computers, and what they can do, is extraordinary. So, if you are seeking a good editor, or someone to prepare your books for e-Books, contact him.
I'm ...
No comments:
Post a Comment