DAVID BYRNE
G'day folks,
Welcome to some facts about a successful composer.
David Byrne is
the thinking man’s rocker. The idiosyncratic singer, songwriter, and ambient
composer may well be the single greatest influence coursing through today’s
rock radio consciousness. While groups like R.E.M., the Pixies, and the Cure
all deserve mention in this category, The Talking Heads best represent the
nervy arthouse ethos of new wave, the lyrical obscurity of alternative, and the
addictive hookiness of today’s beardly hipster bands. All owe a debt to David
Byrne for their right to be weird and successful all at once.
Born in
Dumbarton, Scotland, Byrne’s family relocated several times during his youth
before ultimately settling in Baltimore when he was nine. By this time, Byrne
was already adept at the guitar, accordion, harmonica, and violin.
Studying
music first at the Rhode Island School of Design and thereafter the Maryland
Institute College of Art, Byrne ultimately dropped out of school to pursue
music in New York. His arrival there could not have come at a better time. His
off-kilter vocals, quirky songwriting, and staccato time signatures were
perfectly at home in the burgeoning punk scene.
Forming the
Talking Heads in 1975, Byrne rose to recognition as part of the wild CBGB scene
that give birth to punk legends like the Ramones, Television, and Blondie.
Among them, the Talking Heads stood out for their intelligence and conscious
artiness. In 1977, their breakthrough hit, “Psycho Killer,” burned up the
charts while the Son of Sam terrorized New York.
Over the
course of eight albums, David Byrne was responsible for the lion’s share of
writing, as well as for his band’s musical eclecticism. Albums like Fear of Music (1979) and Speaking in Tongues (1985)
produced substantial charting hits while incorporating elements of Brazilian
music, African polyrhythms, and the synthesizers that would define new wave. As
to the latter, the Talking Heads were the most essential trailblazer in a genre
that shot the Police, Duran Duran, and the Cars to megastardom. Byrne’s
contributions to the MTV era may best be captured in the band’s groundbreaking Stop Making Sense (1984), an
ingenious concert documentary (not to mention album) directed by Jonathan
Demme. Its imagery and performance aesthetics make it a template-setting
document in the music video medium.
Though the
Talking Heads disbanded at the end of the ‘80s, Byrne’s solo career continues
to distinguish him. Starting with 1981’s highly influential ambient record, My Life in the Bush of Ghosts
(1981), Byrne has lent his name to a series of solo works that touch on all
manner of world, electronic, and even dance music. David Byrne was inducted
into the Rock and Roll Hall of Fame with the Talking Heads in 2002 and is the
owner of a Grammy, Oscar, and Golden Globe.
Clancy's comment: Mm ... Another very successful life.
I'm ...
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